As October winds down to its final days, I see several
people around Fort Worth decorate pumpkins, witches, and bats in preparation
for Halloween. I see children walk into costume shops, excitedly contemplating
what terrifying ghoul, daring super hero, or elegant princess they want to
dress up as for an evening of trick-or-treating. In all the excitement of candy
and horror movies, many of us forget about a day this month that is full of
rich history and culture not too far from our own.
Día de los Muertos is the Latin American holiday translated as the "Day of the
Dead." There are several similar elements to the modern celebration of
Halloween—skeletons, sugar, gatherings—but it is altogether different. The holiday
has origins in Native American spirituality and the Catholic holiday of All Souls
Day. “It is primarily a special time for families to come together to honor
their antepasados, the family members
who have died and whose spirits return to visit during these magical days”
(Defibaugh).
In his book, Denis Defibaugh travels to Oaxaca—a
region of Mexico still full of over a dozen native languages and cultures—to
photograph the people there as they celebrate Día
de los Muertos in the streets and in their homes and in the
cemetery. The story Defibaugh tells with his photos is a bittersweet one that
balances the loss of beloved family members with the vivacious celebration of
life. There are the extravagant, if not sometimes grotesque, costumes that give
a taste of both individuality and culture of the adults and children who wear
them. There are the altars inside the
homes that are decorated with flowers, statues, food, and all manners of
different ofrenda (offerings) to
honor relatives.
This is why I love working for TCU Press: the books. The Day of the Dead and Defibaugh’s
photos taught me some of the nuances of this Mexican holiday that I didn’t know
before. Growing up in Texas this culture is very near and dear to me and I’m
glad for the opportunity to learn more about it. It’s almost Halloween, which
means it’s almost Día de los Muertos. On that day, when
I’m dissecting the candy left over from trick-or-treaters, maybe I’ll think of
some of the people I have lost. It’s a nice concept for remembrance to turn
something ghoulish and morbid into a celebration of those we love.
I came in to the Press today and was greeted by this
beautiful surprise! Fair Park Deco,
finally in print! There’s nothing like seeing the final product of your labor,
experiencing that moment of pride and the rush of excitement you feel, coupled
with a sense of completion and relief.
If there’s one thing I’ve learned at TCU Press
(and I’ve learned many things!), it’s that every project has its own set of
issues. Fair Park Deco was the first
full-color picture book I’d worked on – and let me tell you, I had no idea what
I was getting myself into. I’d never worked on images, knew nothing about high
resolution, pixilation, photo call-outs, photo credits, sources, or captions. I
truly only felt competent in copyediting the text. Thankfully, Jim Parsons and
David Bush had a great handle on all of these things. I was so lucky to work
with authors that could teach and guide me along the editorial and production
process.
Tejas Warrior
Now here’s the worst confession of all. Though I was born
and raised in Fort Worth, attended TCU, and have lived here all my life, I’ve
never been to the State Fair. I’ve only seen Fair Park from I-30 as I drove
through Dallas on my way to somewhere else. I felt like the worst Texan of all
time as I worked on this manuscript. However, without ever seeing the “Texas Woofus” or any of the Art Deco art and
architecture, I can say that this book and the authors’ passion for Texas
history and preservation gave me a great respect and understanding for what
Fair Park was in 1936 and what it is today: “the embodiment of Texan
swagger…a testament to the Texanic task of creating a dazzling spectacle in the
darkest days of the Depression.” My absolute favorite sculpture is Tejas Warrior by Allie V. Tennant,
located in the Niche of Heroes at the Hall of State. I can’t
wait to visit it in person!
This book includes 300 full-color photos taken by the authors
as well as historical images. It is organized as a walking tour of the
fairgrounds would be, beginning at the entrance and exploring the buildings and artwork. A map of
the fairgrounds from 1936 is printed on the end sheets, and provides a sense of
setting and relationship of the buildings for those, like me, who have never
been there. The authors explain how Dallas became home to the Centennial
Exposition, the purposes and designs of every structure, and the
overall effect that the Exposition had on Americans, especially Texans, in the
midst of the Great Depression.
Fair Park Deco
will be officially launched on November 8, 2012 at 6:00 p.m. at the Hall of
State, Fair Park. Many reviews have already been written on this extraordinary
book, and links to all of them can be found on TCU Press’s
Facebook page. Check out the book trailer below, and click here to order your own copy!
--Rileigh Sanders
There is something unique about a good Western novel. The empty plains, cowboys riding horseback, six shooting, and the old west are images that someone who grows up in the south has instilled in them from birth. The rugged living of the old frontier has been lost in our society filled with cell phones and smart cars. Picking up Patrick Dearen’s latest novel To Hell or the Pecos has made the images of the American frontier vivid, and transported me into a different era.
The story follows a group of ranch hands on a quest to save the daughter of their slain boss, murdered by a gang of Mexican thieves. The ruffians want to take her back to Mexico in hopes that the wealthy aristocrats will pay top dollar for a virgin gringo wife. As the story progresses we follow the troubadours on their hunt down the trail of the Pecos, and see them faced with the most extreme trials of life. The battle appears to be lost several times, but Dearen paints a portrait of what happens to the human soul when desperation is all that is left.
The novel, while staying true to the art of the old western, also poses greater questions of life, and how the pangs of love control the individual. As the trail gets drier, the sun gets hotter, and the men get more and more desperate, the calls of love from beyond the grave grow louder. We see them confronted with past actions that can only be brought to life by the deadness of the desert. As each of them nears death, the true importance of their life becomes more distinct.
Dearen began writing the novel while taking his daily hikes, in an attempt to honor the life of the great western writer Elmer Kelton. After attending the funeral in 2009, he set out walking with a pen and paper, and began to craft what became To Hell or the Pecos. The story originates from real western tales of robbery and murder in the South of Texas in the late 1800s. The origin of the tale is seen throughout Dearen’s writing, and allows the novel to encapsulate the true rugged nature of the old south throughout.
Elmer Kelton and Patrick Dearen
Working on this novel has been extremely enjoyable because it has allowed me to come into contact with a book that is genuine to my setting and adopt a new perspective on the elements in which I live. Dearen has expressed a true perspective of the old west, and allowed the landscape of his home state to tell a tale of life and love. The novel grabbed me from the beginning, transported me to the drought-ridden trails of southern Texas, and transformed me through the hunt for justice and true love.